The weaponisation of listening, and the technical cartography of anxiety. Two original essays scrutinise the use of acoustic camouflage, and the function of toolkits as maps of internal dread and environmental threat. In Phantom Lure Angus Carlyle explores the ways in which the frequency spectrum can become a site for disguise and deception. Acoustic camouflage is deployed in the concrete curves of sound mirrors, military battlefield sensors, and snipers’ sonic concealment tactics, but also in the silent steps of the hunter and the mimicry of duck calls, antler rattles, and fox flutes. This trail of decoys leads us into forensic acoustic analysis, electronic voice phenomena, and music encrypted with secret signals—from Metal Gear Solid to ‘Windowlicker’, from moths’ thoraxes to horror-film whispers, from Silent Escape to Turing tests and vocoders. Sam Forsythe’s Every Day Catastrophes is an essay for the anxious, the paranoid, and the overly prepared. From the everyday carry of the urban explorer to the bug-out bag for total apocalypse, the toolkits we assemble in order to forestall anticipated yet unforeseen disasters are abstract environmental maps. Tools compress place, matter, and relation into the portable abstractions of points, edges, and levers. But they also embody inner landscapes, topographies shaped by anxiety and fear. Every Day Catastrophes navigates this terrain of technics and terror, exploring how we equip ourselves for the unspecified threat conditions of modern life and tool up for anxiety-inducing futures. An Urbanomic K-Pulp Switch: singular texts by two different authors in a classic pulp format.