22 Sep 2014 Negarestani Torture Concrete now available We now have copies of Reza Negarestani's essay Torture Concrete for sale in our web store. Negarestani's essay is published in conjunction with Jean-Luc Moulène's exhibition, Torture Concrete, September 7 – October 26, 2014 at Miguel Abreu Gallery, New York. The text emerged out of a number of conversations between the writer and artist around the theme of abstraction both as a multi-faceted project in the general domain of thought and as a specific process of artistic experimentation. Negarestani sharply asserts abstraction's origins as the dialectic between form (mathematics) and sensible matter (physics) and its otherwise flat interpretation in art history, and presents us with the redemptive possibilities for its enrichment and diversification through the lens of artistic practice. Negarestani calls into question the 'self-reflexive history of art' as having embezzled this singular definition of abstraction, so that one can no longer link it to its constitutive gesture or procedural coherence, and locates Moulène's work safely at the outer-edges of this 'impoverished' history. He asserts that for Moulène, 'the task of art is rediscovered not in its ostensible autonomy but in its singular power to rearrange and destabilize the configurational relations between parameters of thought, parameters of imagination and material constraints which parameterize the cognitive edifice.' Moulène seeks to define new objectives for art and to further revise its task using his own working paradigm of topology and dynamic systems. Within the artist's work – the work of systematization of experimentation and producing tools for thinking – Negarestani finds a reassuring pursuit in practice, that of the unearthing of a buried dialectic, and a worthy response to his problematic: 'We've all heard of abstraction, but no one has ever seen one.' Both men work in search of a means of emancipation from a tortured position (as writer, artist, human). For Moulène, making a change to the body, a change from within, works alongside the notion of thought making a difference in the world. But in order for thought to do this, as Negarestani suggests, 'first it must make a difference in itself–this is where abstraction finds its true vocation.'