{"id":3701,"date":"2013-09-30T20:18:58","date_gmt":"2013-09-30T19:18:58","guid":{"rendered":"http:\/\/www.urbanomic.com\/wordpress\/performance_gug\/"},"modified":"2013-09-30T20:18:58","modified_gmt":"2013-09-30T19:18:58","slug":"performance_gug","status":"publish","type":"post","link":"https:\/\/www.urbanomic.com\/wordpress\/performance_gug\/","title":{"rendered":"Performance @ Guggenheim"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"Pink_Cube.jpg\" src=\"http:\/\/blog.urbanomic.com\/cyclon\/Pink_Cube.jpg\" width=\"350\" height=\"295\" class=\"mt-image-none\" style=\"\" \/><br \/>\nThe third installment of my collaboration with Florian Hecker:<br \/>\n<b>C.D.: A Script for Synthesis<\/b><br \/>\nC.D. &#8211; A Script for Synthesis is a sound piece, an experimental drama, and a model of abstraction, which recalls Artaud&#8217;s Theater of Cruelty as much as Beckett&#8217;s minimalist narratives and neo-imagist poetry. It is the climactic third chapter in the trilogy of text-sound pieces Hecker has created in collaboration with the philosopher and writer Reza Negarestani (following Chimerization, dOCUMENTA (13) and Hinge, Lumiar Cit\u00e9, Lisbon; both 2012), who has written a libretto\/script for the performance. The conceptual point of departure is a perceptual encounter with a pink ice cube, which is dramatized as a scene in which the linguistic chimeras of scent and sound descriptions are materialized through synthetic trophies, the scale and shape of auditory objects, a Greek chorus and theatrical props. C.D. &#8211; A Script for Synthesis is an experiment in putting synthetic emptiness back into synthetic thought.<br \/>\nSolomon R. Guggenheim Museum, Peter B. Lewis Theater, 1071 5th Ave<br \/>\nSaturday, November 9, 7:30 pm<br \/>\nFor more information on how to obtain tickets see <a href=\"http:\/\/13.performa-arts.org\/event\/florian-hecker\">HERE<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The third installment of my collaboration with Florian Hecker: C.D.: A Script for Synthesis C.D. &#8211; A Script for Synthesis is a sound piece, an experimental drama, and a model of abstraction, which recalls Artaud&#8217;s Theater of Cruelty as much as Beckett&#8217;s minimalist narratives and neo-imagist poetry. It is the climactic third chapter in the&#8230;  <a class=\"excerpt-read-more\" href=\"https:\/\/www.urbanomic.com\/wordpress\/performance_gug\/\" title=\"Read Performance @ Guggenheim\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3701","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/posts\/3701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3701"}],"version-history":[{"count":0,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/posts\/3701\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}