{"id":7475,"date":"2020-11-11T15:58:37","date_gmt":"2020-11-11T15:58:37","guid":{"rendered":"https:\/\/www.urbanomic.com\/?post_type=product&#038;p=7475"},"modified":"2026-01-07T12:17:33","modified_gmt":"2026-01-07T12:17:33","slug":"the-order-of-sounds-e-book","status":"publish","type":"product","link":"https:\/\/www.urbanomic.com\/wordpress\/product\/the-order-of-sounds-e-book\/","title":{"rendered":"Fran\u00e7ois J. Bonnet \u2013 The Order of Sounds E-Book"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>E-Book version of <a href=\"https:\/\/www.urbanomic.com\/wordpress\/book\/the-order-of-sounds\/\">The Order of Sounds<\/a> by Fran\u00e7ois J. Bonnet<\/p>\n<blockquote class=\"small-quote\"><p>Operating at high theoretical altitude, in <em>The Order of Sounds<\/em>, Fran\u00e7ois Bonnet sets himself a Herculean task: nothing less than the retheorisation of sound as such.<br \/>\n\u2014 Drew Daniels, <em>The Wire<\/em><\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p>In <em>The Order of Sounds<\/em>, Bonnet tiptoes though a minefield laid out by both a discursive imperialism that forces the sonorous to speak and the false promise of direct access made by ontologies of sound. Bonnet\u2019s schizological approach to the audible carefully identifies the blindspots of phenomenological and physicalist reductions of the sonorous, going beyond the confines of clunky notions such as \u2018sound objects\u2019 and \u2018soundscape\u2019 to propose a mode of listening attuned to the ungraspable, the imperceptible, and the indistinct.<br \/>\n\u2014 Steve Goodman, author of <em>Sonic Warfare<\/em><\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p>Bonnet provides us with a fascinating exploration of the world of sound and our complex relationship to it. Surveying sound across its various manifestations, his conclusions offer a new perspective on how and why we process sounds, but also the continuing mystery of what lies behind them. <em>The Order of Sounds<\/em> represents an important contribution to the field of the philosophy of sound.<br \/>\n\u2014 Professor Stuart Sim, author of <em>Manifesto for Silence<\/em><\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p><em>The Order of Sounds<\/em> is an expansive journey through contemporary discourse on sound. It revisits key notions such as silence and reduced listening, calls on Deleuze, Nancy, Adorno and Simondon, introduces a new taxonomy of modes of listening and takes a firm stand against an essence of sound. Its reach is vast, and its depth impressive.<br \/>\n\u2014 Rahma Khazam, independent researcher<\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p>Taking the \u2018sonorous\u2019 neither as vast oceanic expanse nor as horizonless landmass\u2014but rather, as a scatter of atolls, reefs, shifting sandbanks and shoals, Serendip dunes, islets, promontories and the like\u2014Fran\u00e7ois J Bonnet draws us into thinking though sound as emergence and primordial force before it shapes up as the order of sonic syntax and the system of everyday listening.<br \/>\n\u2014 Sarat Maharaj, writer and curator<\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p>To the theoretical propensities\u00a0imprinted on the domain of sound by a rational order, Fran\u00e7ois J. Bonnet opposes a veritable thinking of disorder, a \u2018sonorous archipelago\u2019 rather than a \u2018theory of sound\u2019. This unprecedented and salutary enterprise outlines a new path for a future \u2018acoulogy\u2019.<br \/>\n\u2014 Pierre-Yves Mac\u00e9, <em>Filigrane<\/em><\/p><\/blockquote>\n<blockquote class=\"small-quote\"><p>Bonnet&#8217;s writing, dense, full of unexpected turns and remarks, is intelligent and meticulous.<br \/>\n\u2014 Daniel Contarelli, <em>Critique d\u2019art<\/em><\/p><\/blockquote>\n<p>Profoundly intimate yet immediately giving onto distant spaces, both an \u2018organ of fear\u2019 and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual.<\/p>\n<p>In <em>The Order of Sounds<\/em>, Fran\u00e7ois J. Bonnet makes a compelling case for the irreducible heterogeneity of \u2018sound\u2019, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of <em>what is heard<\/em>. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound <em>speak<\/em> to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the \u2018soundscape\u2019 and \u2018reduced listening\u2019 demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a <em>hallucination of sound<\/em> filtered by desire and convention, territorialized by discourse and its authorities.<\/p>\n<p>Bonnet proposes neither a disciplined listening that targets sound \u2018itself\u2019, nor an \u2018ocean of sound\u2019 in which we might lose ourselves, but instead maps out a <em>sonorous archipelago<\/em>\u2014a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.<\/p>\n","protected":false},"featured_media":7668,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[1603],"product_tag":[],"class_list":["post-7475","product","type-product","status-publish","has-post-thumbnail","product_cat-ebooks","first","instock","downloadable","virtual","purchasable","product-type-simple"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/product\/7475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/media\/7668"}],"wp:attachment":[{"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7475"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/product_brand?post=7475"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/product_cat?post=7475"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.urbanomic.com\/wordpress\/wp-json\/wp\/v2\/product_tag?post=7475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}