EXCERPT PETER WOLFENDALE: Amanda, the task you outlined was that of a differentiation of a general notion of art from a twisted conception of art that developed in the twentieth century. And I think that’s a very crucial task we need to be focused on: it’s a great way of framing a lot of the important issues involved here. It’s like an attempt at a thinking of the general concept of art. I’d like to ask your opinion on this, but the intervention I’d bring in is that, in order to think that general concept, we have to get back to an even more general concept, and see art as a species of beauty, in a very literal sense. That also means rescuing the concept of beauty from a certain way in which it’s been conceived both recently, and throughout history…