Editors’ Introduction


Nick Land’s writings inhabit a disordered anarchitecture, a space traversed by rat and wolf-vectors, conjuring a schizophrenic metaphysics. Advanced technologies invoke ancient entities; the human voice disintegrates into the howl of cosmic trauma; civilization hurtles towards an artificial death. Sinister musical subcultures are allied with morbid cults, rogue AIs are pursued into labyrinthine crypts by Turing cops, and Europe mushrooms into a paranoia laboratory in a global cyberpositive circuit that reaches infinite density in the year 2012, flipping modernity over into whatever has been piloting it from the far side of the approaching singularity…